Customer Stories

Avid VENUE | S6L-48D system in the Soundon OB truck

Soundon Adds Europe’s First S6L-48D to Handle Its Ever-expanding Productions

As soon as we heard that Avid was releasing the S6L-48D system, it was clear that we wanted it. The advantages have been remarkable. Everything is so easy with the S6L-48D

TIMO VIRTANEN, SOUNDON

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Image of Dolby Atmos and Pro Tools workstation in front of large theatre screen

The Race for Content: How Pixelogic Is Embracing the Growing Demand for Immersive Audio

In our Burbank facility, it was our goal when we built our Atmos facilities to have a centralized control room where we could effortlessly cross connect anything to anything, and quickly adopt any configuration required at the touch of a button.

DOUG HIGGINS, VP OF WORLDWIDE DUBBING AND AUDIO SERVICES, PIXELOGIC

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Mixing Jazz at Lincoln Center Broadcasts for SiriusXM

The S6 is able to do everything the ICON can do and more. It's only enhanced my workflow. I was just commenting to my client this morning that I'm really digging this console!

ROB MACOMBER, CHIEF ENGINEER OF MUSIC STUDIOS, JAZZ AT LINCOLN CENTER

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Power Station uses Pro Tools MTRX for speed and flexibility 1862x1040

Power Station BerkleeNYC Uses MTRX to Link Studios for Broadway Cast Recordings

The sound quality has been great. I’ve received an enormous number of comments from clients who have felt that the sound quality has improved with these new systems.

IAN KAGEY, DIRECTOR OF OPERATIONS

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Full Sail University Builds Avid Audio and Video Editing Tools Into Curriculum

Film students will be working and editing their projects in Avid Media Composer and Symphony. We’ll have audio students working in Pro Tools, editing and mixing the sounds: dialog, sound effects and music. And, we’ll bring it all together in the dub stage.

SCOTT DANSBY, DIRECTOR OF INDUSTRY RELATIONS

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Postworks Fuels Expansion with Pro Tools | MTRX

As soon as I saw the full specs on the Pro Tools | MTRX with Dante, I realized there was finally a Pro Tools interface that could provide the routing & features I required to be able to quickly reconfigure and move projects from one room to another.

PHILLIP FULLER, CHIEF OF AUDIO, POSTWORKS NEW YORK

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